{"id":1079,"date":"2017-06-19T14:25:34","date_gmt":"2017-06-19T14:25:34","guid":{"rendered":"https:\/\/stockholm21.select-themes.com\/?page_id=162"},"modified":"2026-09-18T07:55:52","modified_gmt":"2026-09-18T05:55:52","slug":"about-us","status":"publish","type":"page","link":"http:\/\/studiokalleinen.net\/?page_id=1079","title":{"rendered":"About"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1498032868242{padding-top: 6.8% !important;padding-bottom: 6.3% !important;}”][vc_column offset=”vc_col-lg-3 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 0% 0% 40%” item_padding_1280_1600=”0% 0% 0% 40%” item_padding_1024_1280=”0% 0% 0% 40%” item_padding_768_1024=”3% 0% 0% 10%” item_padding_600_768=”3% 0% 0% 10%” item_padding_480_600=”3% 0% 0% 10%” item_padding_480=”3% 0% 0% 10%”][vc_column_text css=””]<\/p>\n

About<\/h4>\n

[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=”vc_col-lg-9 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 33% 0% 0%” item_padding_1280_1600=”0% 12% 0% 0%” item_padding_1024_1280=”0% 17% 0% 0%” item_padding_768_1024=”10% 14% 4% 10%” item_padding_600_768=”10% 10% 4% 10%” item_padding_480_600=”10% 10% 4% 10%” item_padding_480=”10% 10% 4% 10%”]

The invitation of art, the art of invitation.<\/span><\/div>[\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1498032970569{padding-top: 1% !important;padding-bottom: 9% !important;}”][vc_column offset=”vc_col-lg-3 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 0% 0% 40%” item_padding_1280_1600=”0% 0% 0% 40%” item_padding_1024_1280=”0% 0% 0% 40%” item_padding_768_1024=”3% 0% 0% 10%” item_padding_600_768=”3% 0% 0% 10%” item_padding_480_600=”3% 0% 0% 10%” item_padding_480=”3% 0% 0% 10%”][vc_column_text css=””][\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=”vc_col-lg-9 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 38% 0% 0%” item_padding_1280_1600=”0% 19% 0% 0%” item_padding_1024_1280=”0% 22% 0% 0%” item_padding_768_1024=”10% 14% 4% 10%” item_padding_600_768=”10% 8% 4% 10%” item_padding_480_600=”10% 10% 20% 10%” item_padding_480=”10% 10% 20% 10%”][\/qode_elements_holder_item][\/qode_elements_holder][vc_column_text css=””]Since 2002, Tellervo Kalleinen and Oliver Kochta-Kalleinen have worked together across participatory cinema, performance, public art, game design and interventions. Across their practice, they explore the dynamics between the individual and the collective. Their art projects often begin with an open invitation and create unexpected, temporary communities. They create concepts and processes and often take on the role of facilitators. Sometimes projects take on a life of their own, as happened with <\/span>Complaints Choir<\/span><\/i>, which was realised in nearly 200 cities worldwide following their original concept. <\/span>They are deeply engaged in the questions surrounding participation, including democracy, agency, public space and citizenship.<\/span><\/p>\n

 <\/p>\n

Their participatory moving-image works include <\/span>The Making of Utopia<\/span><\/i>, created with members of intentional communities in Australia, and <\/span>People in White<\/span><\/i>, in which former mental health care clients revisit their experiences with doctors and therapists through storytelling and reenactment. In <\/span>Archipelago Science Fiction<\/span><\/i>, inhabitants of the Turku Archipelago imagine and act out possible futures for the area.<\/span><\/p>\n

 <\/p>\n

Their work in public space takes multiple forms. <\/span>Collective Mindscape<\/span><\/i>, made using Unreal Engine game technology, was realised for the HUS Siltasairaala cancer day clinic. The process involved eight people who have experienced cancer, whose inner mindscapes were transformed into a shared virtual world. Viewers can navigate the world using a touchless screen, exploring different landscapes and listening to the thoughts of the participants. <\/span>Keskustelupuisto (Conversation Park)<\/span><\/i> invited inhabitants of Rauma into a process of creating a new public space through a two-year, game-like process of negotiations and personal game moves. The duo published a book about the experience (Published by L\u00f6nnstr\u00f6m Art Museum in 2022), using the project as a case study.<\/span><\/p>\n

 <\/p>\n

Their interactive video installations include <\/span>101 For All<\/span><\/i>, in which a representative sample of 100 Finns discuss divisive topics.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Their recent work <\/span>The Most Valuable Clock in the World<\/span><\/i> is a large mechanical-electronic clock displaying precious moments donated by people, alongside fragile moments from the natural environment.<\/span><\/p>\n

 <\/p>\n

In 2017, they were invited as guest professors at the Academy of Fine Arts, University of the Arts Helsinki, and they have also taught at Aalto University. The duo received the AVEK Media Art Award in 2012 and the Ars Fennica Award in 2014.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_single_image image=”1596″ img_size=”full” alignment=”center” qode_css_animation=””][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1574112719099{padding-top: 10.5% !important;padding-bottom: 0% !important;}”][vc_column offset=”vc_col-lg-3 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 0% 0% 40%” item_padding_1280_1600=”0% 0% 0% 40%” item_padding_1024_1280=”0% 0% 0% 40%” item_padding_768_1024=”4% 0% 10% 10%” item_padding_600_768=”4% 0% 10% 10%” item_padding_480_600=”15% 0% 20% 8%” item_padding_480=”15% 0% 20% 8%”][vc_column_text]<\/p>\n

The Artists<\/h4>\n

[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=”vc_col-lg-9 vc_col-md-12 vc_col-xs-12″ css=”.vc_custom_1574110961490{padding-right: 20% !important;padding-left: 5% !important;}”][qode_elements_holder number_of_columns=”two_columns” switch_to_one_column=”1000″][qode_elements_holder_item item_padding=”0%” item_padding_1280_1600=”0%” item_padding_1024_1280=”0%” item_padding_768_1024=”0%” item_padding_600_768=”0%” item_padding_480_600=”0%” item_padding_480=”0%”][vc_column_text]<\/p>\n

Tellervo Kalleinen<\/a><\/h5>\n

[\/vc_column_text][vc_empty_space height=”2px”][vc_column_text]CONTEMPORARY ART – MUSIC
\n<\/span><\/strong>[\/vc_column_text][vc_empty_space height=”2px”][\/qode_elements_holder_item][qode_elements_holder_item item_padding=”0%” item_padding_1280_1600=”0%” item_padding_1024_1280=”0%” item_padding_768_1024=”0%” item_padding_600_768=”0%” item_padding_480_600=”0%” item_padding_480=”0%”][vc_column_text]<\/p>\n

Oliver Kochta-Kalleinen<\/h5>\n

[\/vc_column_text][vc_empty_space height=”2px”][vc_column_text css=””]CONTEMPORARY ART – CODE<\/span><\/strong>[\/vc_column_text][vc_empty_space height=”2px”][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=”” css=”.vc_custom_1498044611390{padding-top: 9.5% !important;padding-bottom: 11% !important;}”][vc_column offset=”vc_col-lg-3 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 0% 0% 40%” item_padding_1280_1600=”0% 0% 0% 40%” item_padding_1024_1280=”0% 0% 0% 40%” item_padding_768_1024=”4% 0% 7% 10%” item_padding_600_768=”4% 0% 7% 10%” item_padding_480_600=”15% 0% 20% 8%” item_padding_480=”15% 0% 20% 8%”][vc_column_text css=””]<\/p>\n

CV<\/h4>\n

[\/vc_column_text][\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column offset=”vc_col-lg-9 vc_col-md-12 vc_col-xs-12″][qode_elements_holder number_of_columns=”one_column”][qode_elements_holder_item item_padding=”0% 35% 0% 0%” item_padding_1280_1600=”0% 14% 0% 0%” item_padding_1024_1280=”0% 29% 0% 0%” item_padding_768_1024=”0% 13% 4% 10%” item_padding_600_768=”0% 13% 4% 10%” item_padding_480_600=”0% 10% 20% 10%” item_padding_480=”0% 10% 20% 10%”][vc_column_text css=””]EDUCATION<\/strong>
\n<\/span>
\nOliver Kochta-Kalleinen <\/b>
\n<\/span>2000<\/b> MFA, HFBK Hamburg University of Fine Arts<\/span>
\n<\/span>1998-99<\/b> Guest student at The Helsinki Academy of Fine Arts<\/span><\/p>\n

 <\/p>\n

Tellervo Kalleinen<\/b>
\n<\/span>2003<\/b> MFA, Time and Space Department, Academy of Fine Arts, Helsinki, Finland<\/span>
\n<\/span>2000-01<\/b> Guest student at Hochschule f\u00fcr bildende K\u00fcnste Hamburg, Germany<\/span>
\n<\/span>2000-01<\/b> Guest student at Hochschule f\u00fcr bildende K\u00fcnste Braunschweig, Germany<\/span><\/p>\n


\nAWARDS<\/b>
\n<\/b>2014<\/b> ARS FENNICA award<\/span>
\n<\/span>2012<\/b> AVEK Media Art Award<\/span>
\n<\/span>2012<\/b> BEST FEATURE FILM, <\/span>Lo Spiraglio Film Fest, Rome, Italy*<\/span><\/p>\n


\nSOLO AND DUO EXHIBITIONS<\/b><\/p>\n

2024<\/b>
\n<\/b>COLLECTIVE MINDSCAPE<\/span> \u2013 <\/b>Hilbertraum, Berlin, Germany<\/span>
\n<\/span>101 FOR ALL \u2013 Galleria Sivuraide, Salo Art Museum, Salo, Finland<\/span><\/p>\n

 <\/p>\n

2019 <\/b>
\n<\/b>#BESCHWERDICH – COMPLAINTS CHOIRS – Kunstverein Ludwigshafen, Germany<\/span><\/p>\n

 <\/p>\n

2017 <\/b>
\n<\/b>101 FOR ALL – Kunsthalle Sein\u00e4joki, Finland<\/span>
\n<\/span>
\n<\/span>2015 <\/b>
\n<\/b>101 FOR ALL – Kunsthalle Helsinki, Finland<\/span><\/p>\n

 <\/p>\n

2012 <\/b>
\n<\/b>FORMS OF PARTICIPATION – Shedhalle, Zurich, Switzerland<\/span><\/p>\n

2011 <\/b>
\n<\/b>DREAMLAND \u2013 21 dreams about a president Mikkeli Art Museum, Mikkeli, Finland<\/span><\/p>\n

 <\/p>\n

2010 <\/b>
\n<\/b>KALLEINEN & KOCHTA-KALLEINEN – Artra Gallery, Milan, Italy<\/span>
\n<\/span>DREAMLAND – 21 DREAMS ABOUT THE PRESIDENT – Rauma Art Museum, Finland<\/span>
\n<\/span>COMPLAINTS CHOIRS – Contemporary Art Museum St. Louis, Saint Louis, US<\/span><\/p>\n

 <\/p>\n

2009 <\/b>
\n<\/b>MAM10 – Mori Art Museum, Tokyo, Japan <\/span>
\n<\/span>DREAMLAND – The Studio of Art Hall \/ Taidehalli, Helsinki, Finland\u00a0<\/span><\/p>\n

 <\/p>\n

2008 <\/b>
\n<\/b>FUTURE GAME – Taidehalli \/ Art Hall, Helsinki, Finland (by YKON)<\/span><\/p>\n

 <\/p>\n

2007 <\/b>
\n<\/b>COMPLAINTS CHOIR – Sparwasser, Berlin, Germany<\/span>
\n<\/span>COMPLAINTS CHOIR – Signal, Malm\u00f6, Sweden<\/span><\/p>\n

 <\/p>\n

2006 <\/b>
\n<\/b>LOST AND FOUND – SMAK Ghent, Belgium (+ Mika Taanila)<\/span>
\n<\/span>MICRONATIONS TRAVELLING AGENCY – Sparwasser, Berlin, Germany (by YKON)<\/span>
\n<\/span><\/b><\/p>\n

 <\/p>\n

COMMISSIONS<\/b>
\n<\/b><\/p>\n

Upcoming 2030: <\/b>
\n<\/b>A SENTENCE WE ALL CAN AGREE UPON. <\/span>
\n<\/span>Commissioned by Kunst und Bau, The City of Z\u00fcrich, Switzerland<\/span><\/p>\n

 <\/p>\n

2026<\/b>
\n<\/b>THE MOST VALUABLE CLOCK IN THE WORLD<\/span> \u00a0<\/b>as part of Climate Clock<\/span>
\n<\/span>Commissioned by Invisible Dust, London and Oulu 2026, European Capital of Culture, Finland<\/span>
\n<\/span><\/i>
\n<\/span><\/i>2023<\/b>
\n<\/b>THE FINAL SCENES OF DISASTER MOVIES<\/span>
\n<\/span>Participatory cinema & event, Commissioned by Helsinki Festival, Finland<\/span><\/p>\n

COLLECTIVE MINDSCAPE, Commissioned by HUS Comprehensive Cancer Center, <\/span>
\n<\/span>Part of Kohtaamisia -art collection curated by Taru Elfving, Helsinki, Finland<\/span><\/p>\n

ODE FOR Y<\/span>
\n<\/span>Commissioned by Y-S\u00e4\u00e4ti\u00f6, Helsinki, Finland<\/span><\/p>\n

 <\/p>\n

2018-2022 <\/b>
\n<\/span>CONVERSATION PARK – KESKUSTELUPUISTO – A Public Space Game<\/span>
\n<\/span>L\u00f6nnstr\u00f6m Project \u2013 with L\u00f6nnstr\u00f6m Art Museum, Rauma, Finland\u00a0\u00a0<\/span><\/p>\n


\n<\/span>GROUP EXHIBITIONS<\/b><\/p>\n

2026<\/b>
\n<\/b>WHY DO SHOES RUB AND OTHER QUESTIONS, EKKM Tallinn, Estonia<\/span>
\n<\/b>HAURAS PINTA, Artsi, Vantaa, Finland<\/span><\/p>\n

 <\/p>\n

2024<\/b>
\n<\/b>FEELS LIKE HOME \u2013 a collection exhibition, KIASMA, Helsinki, Finland<\/span><\/p>\n

 <\/p>\n

2020<\/b>
\n<\/b>ART AGENDA 2030, Helsinki, Finland<\/span>
\n<\/span>ARS K\u00e4rs\u00e4m\u00e4ki, K\u00e4rs\u00e4m\u00e4ki, Finland<\/span><\/p>\n

 <\/p>\n

2019<\/b>
\n<\/b>13th HAVANA BIENNIAL, Havana, Cuba<\/span>
\n<\/b>AN DER NORDKANTE, Stadtgallerie Kiel, Kiel, Germany<\/span>
\n<\/span>OCEAN DWELLERS, Nordic Embassies, Berlin, Germany<\/span>
\n<\/span>REAL WORK, Fact, Liverpool, UK<\/span>
\n<\/span>CONSIDERING FINLAND, Kunstverein Ludwigshafen, Germany<\/span><\/p>\n

 <\/p>\n

2018<\/b>
\n<\/b>M\u00c4NTT\u00c4 ART FESTIVAL, M\u00e4ntt\u00e4, Finland<\/span>
\n<\/span>CONSIDERING FINLAND, Kunstverein, Ludwigshafen, Germany<\/span><\/p>\n

 <\/p>\n

2017 <\/b>
\n<\/b>101 FOR ALL, Lappeenranta Art Museum, Finland<\/span>
\n<\/span>JOKA HETKI ON POIKKEUS, Riihim\u00e4en vanha lasitehdas, Riihim\u00e4ki, Finland <\/span>
\n<\/span>JUXTABOXING NARRATIVES, ZK\/U, Berlin, Germany <\/span>
\n<\/span>SIMULIZI MIJINI, Old Boma, Darch, Dar es Salaam, Tanzania <\/span>
\n<\/span>KANSAN ASIALLA, Tampere Art Museum, Finland\u00a0<\/span><\/p>\n

 <\/p>\n

2016 <\/b>
\n<\/span>IDENTITY, National Art Museum, Kiev, Ukraine<\/span>
\n<\/span>UTOPIAN ART FROM FINLAND, Handwerker Gallery, Ithaca, US<\/span>
\n<\/span>SAMA ASIA NYKYAIKAISESTI K\u00c4SITETTYN\u00c4 Visavuori Museum, Valkeakoski, Finland<\/span>
\n<\/span>
\n<\/span> 2015 <\/b>
\n<\/b>WHAT IS TO COME HAS ALREADY ARRIVED Musac, Le\u00f3n, Spain <\/span>
\n<\/span>M\u00c4NTT\u00c4 ART FESTIVAL M\u00e4ntt\u00e4, Helsinki, Finland\u2028<\/span>
\n<\/span>CANNIBAL MANIFESTO Karst, Plymouth, UK<\/span>
\n<\/span>DOINGS & KNOTS Tallinn Art Hall, Tallinn, Estonia\u00a0<\/span><\/p>\n

 <\/p>\n

2014 <\/b>
\n<\/b>ARS FENNICA 2014, KIASMA, The Museum of Contemporary Art, Helsinki, Finland<\/span>
\n<\/span>COSMOS, Shanghai 21st Century Minsheng Art Museum<\/span>
\n<\/span>WHAT IS TO COME HAS ALREADY ARRIVED, Centro Andaluz de Arte Contempor\u00e1neo <\/span>
\n<\/span>DREAMS. L\u00f6nnstr\u00f6m Art Museum, Rauma, Vaasa, Finland <\/span>
\n<\/span>SJ\u00c4L\u00d6 9. Tikanojan taidekoti, Vaasa, Finland<\/span>
\n<\/span>TY\u00d6N JUHLAA, Ty\u00f6v\u00e4enmuseo Werstas, Tampere, Finland <\/span>
\n<\/span>SHENZEN SCULPTURE BIENNALE, China<\/span>
\n<\/span>PARALLAX, Laboratorio Arte Alameda, Mexico City\u00a0<\/span><\/p>\n

 <\/p>\n

2013 <\/b>
\n<\/b>EDINBURGH ART FESTIVAL, Edinburgh, Ireland <\/span>
\n<\/span>SJ\u00c4HL\u00d6 9, Hyvink\u00e4\u00e4 art museum, Hyvink\u00e4\u00e4, Finland <\/span>
\n<\/span>I WISH THIS WAS A SONG, Telemark Kunstnersenter, Skien, Norway\u00a0<\/span><\/p>\n

 <\/p>\n

2012 <\/b>
\n<\/b>I WISH THIS WAS A SONG, Nasjonalmuseet Oslo, Norway <\/span>
\n<\/span>TELL IT LIKE IT IS: CANDOR IN CONTEMPORARY VIDEO ART, Ulrich Museum of Art, Wichita, US <\/span>
\n<\/span>ARCTIC HYSTERIA, Centre for Photography ROPSHOTO, St Petersburg, Russia <\/span>
\n<\/span>CAVE ANALOGUES, Retretti, Finland\u00a0<\/span><\/p>\n

 <\/p>\n

2011 <\/b>
\n<\/b>MERCOSUL BIENNALE, Porto Alegre, Brazil*<\/span>
\n<\/span>MINE, YOURS, OURS, Drugo More, Rijeka, Croatia (by YKON)<\/span>
\n<\/span>CONTEMPORARY ART ARCHIPELAGO, Turku Archipelago, Finland<\/span><\/p>\n

 <\/p>\n

2010 <\/b>
\n<\/b>VOCAL THOUGHTS, Contemporary Art Centre of South Australia CASCA<\/span>
\n<\/span>RAISE YOUR VOICE, Ars Electronica Center, Linz, Austria<\/span>
\n<\/span>MADNESS AND ARTS -FESTIVAL, Haarlem, Netherlands<\/span>
\n<\/span>THE PEOPLE UNITED WILL NEVER BE DEFEATED, TENT, Rotterdam, Netherlands\u00a0<\/span><\/p>\n

 <\/p>\n

2009 <\/b>
\n<\/b>TIME OUT OF JOINT: RECALL AND EVOCATION IN RECENT ART, The Kitchen, NY, US <\/span>
\n<\/span>BLUE-COLLAR BLUES, Konstihoone, Tallinn, Estonia\u2028<\/span>
\n<\/span>RICHTUNG NORDEN, K\u00fcnstlervereinigung MAERZ, Linz, Austria<\/span>
\n<\/span>IM\/POSSIBLE COMMUNITY, Shedhalle Z\u00fcrich, Switzerland <\/span>
\n<\/span>LET US BE US, Emil Filla Gallery, \u00dast\u00ed nad Labem, Czech Republic <\/span>
\n<\/span>ARCTIC HYSTERIA, Ludwig Museum \u2013 Museum of Contemporary Art \u2013 Budapest, Hungary <\/span>
\n<\/span>HAPPY TOGETHER, Konstihoone, Tallinn, Estonia (YKON)\u00a0<\/span><\/p>\n

 <\/p>\n

2008 <\/b>
\n<\/b>POSSIBILITY OF CHANGE, \u00c5lands Konstmuseum and NIPA, Mariehamn, Finland <\/span>
\n<\/span>HISTORY ACTS, Gothenburg Art Hall \/ G\u00f6teborgs Konsthall, Sweden<\/span>
\n<\/span>COMPLAINTS CHOIRS @ MARABOUPARKEN, Marabouparken, Stockholm, Sweden <\/span>
\n<\/span>BUSAN BIENNALE, Busan, South-Korea <\/span>
\n<\/span>U-TURN, Quadrennial for Contemporary Art, Copenhagen, Denmark<\/span>
\n<\/span>ARCTIC HYSTERIA, NEW ART FROM FINLAND, P.S.1, NY, US<\/span>
\n<\/span>ARS BALTICA TRIENNAL: DON \u0301T WORRY BE CURIOUS, NGBK, Berlin, Germany <\/span>
\n<\/span>CONSPIRE, Transmediale, Berlin, Germany (YKON)\u00a0<\/span><\/p>\n

 <\/p>\n

2007 <\/b>
\n<\/b>ARS BALTICA TRIENNAL: DON \u0301T WORRY BE CURIOUS \u2013 Stadtgalerie Kiel, Germany\u2028<\/span>
\n<\/span>KUMU, Tallinn, Estonia\u2013 Pori Art Museum, Finland <\/span>
\n<\/span>BIENNALE OF YOUNG ARTISTS, Tallinn, Estonia\u00a0<\/span><\/p>\n

 <\/p>\n

2006 <\/b>
\n<\/b>FREMD BIN ICH EINGEZOGEN, Kunsthalle Fridericianum, Kassel, Germany <\/span>
\n<\/span>ART LINK, Gothenburg Art Hall \/ G\u00f6teborg Kunsthall, Sweden<\/span>
\n<\/span>SWEET PUNCH, Physics Room, Christchurch, New Zeland<\/span>
\n<\/span>MOMENTUM, Moss, Norway <\/span>
\n<\/span>SINGAPORE BIENNALE, Singapore (by YKON) <\/span>
\n<\/span>ARS06, Museum of Contemporary Art KIASMA, Helsinki, Finland <\/span>
\n<\/span>NAKED LIFE, Moca Taipei, Taiwan (by YKON) <\/span>
\n<\/span>LIAF 06, Lofoten International Art Festival, Norway <\/span>
\n<\/span>METAPHYSICS OF YOUTH, Pescara, Italy <\/span>
\n<\/span>UTOPIAS, \u00c9igse Carlow Arts Festival 06, Ireland <\/span>
\n<\/span>FANTASTISKT FINSKT, Skulpturens Hus, Stockholm, Sweden <\/span>
\n<\/span>EV+A, Limerick, Ireland\u00a0<\/span><\/p>\n

 <\/p>\n

2005 <\/b>
\n<\/b>Artspace, Sydney, Australia<\/span>
\n<\/span>PIENI TAIVAS, Kunsthalle, Helsinki, Finland<\/span>
\n<\/span>THE FIRST UNIVERSAL EXHIBITION OF MICRONATIONS, Sonarmatica, Sonar Festival, Barcelona, Spain\u00a0<\/span><\/p>\n

 <\/p>\n

PERFORMANCES AND EVENTS (A SELECTION)<\/b><\/p>\n

2026<\/i><\/b>
\n<\/span><\/i>Play House, <\/span><\/i>Aine Art Museum, Tornio, Finland <\/span>(by YKON)<\/span><\/p>\n

 <\/p>\n

2022<\/b>
\n<\/span>BIASED<\/span><\/i>, Espoo Theatre &, Espoo, Finland (in collaboration with with Oliver Kochta-Kalleinen, Ami Karvonen, Fred Nevche and Matija Kezele. Creative Europe -programme<\/span><\/p>\n

 <\/p>\n

2021<\/b>
\n<\/span>Playing Adults,<\/span><\/i> Performance, Trouble Festival, Brussels<\/span><\/p>\n

2017<\/b>
\n<\/span>Temporary Pavilion for Permanent Negotiations, Cure Park, Taak, Amsterdam, The Netherlands<\/span><\/p>\n

 <\/p>\n

2013<\/b>
\n<\/span>THE SUMMIT OF PRACTICAL UTOPIAS, Brioni, Croatia (by YKON, with Electra and Drugo More)<\/span>
\n<\/span>PERHE MENEE KOTIIN, Helsinki Festival, Finland<\/span><\/p>\n

 <\/p>\n

2012<\/b>
\n<\/span>PALIKKAOOPPERA, Kerava Art Museum, Kerava, Finland (with Maija Hirvanen)\u00a0<\/span><\/p>\n

 <\/p>\n

2003<\/b>
\n<\/span>THE SUMMIT OF MICRONATIONS*<\/span>
\n<\/span>Curators of Amorph!03 Festival, Artists Asoociation MUU, Helsinki, Finland<\/span>
\n<\/span>LET ME, Performance Festival Odense, Denmark<\/span><\/b><\/p>\n

 <\/p>\n

SCREENINGS (A SELECTION)<\/b><\/p>\n

2025<\/b>
\n<\/b>Love and Anarchy, Helsinki international Film Festival<\/span><\/p>\n

 <\/p>\n

2016<\/b>
\n<\/span>EMAP – SAVE OUR SOULS, Seoul, Korea\u00a0<\/span><\/p>\n

 <\/p>\n

2014<\/b>
\n<\/span>Japan Media Arts Festival<\/span><\/p>\n

 <\/p>\n

2013<\/b>
\n<\/span>Kino Der Kunst, international competition, M\u00fcnchen<\/span>
\n<\/span>2. Kyiv International Short Film Festival, Kyiv <\/span>
\n<\/span>Moving Images -Art Fair, New York <\/span>
\n<\/span>Helsinki Short Film Festival, Helsinki<\/span>
\n<\/span>Lens Politica, Helsinki<\/span>
\n<\/span>Schillertage -festival, Mannheim\u00a0<\/span><\/p>\n

 <\/p>\n

2012<\/b>
\n<\/span>Tampere Film Festival, Finland<\/span>
\n<\/span>Kyiv International Short Film Festival, Kyiv <\/span>
\n<\/span>2Annas – Riga International Short Film Festival – international competition, Riga<\/span><\/p>\n

 <\/p>\n

2011<\/b>
\n<\/span>MOMA, New York <\/span>
\n<\/span>Doc Point -festival, Helsinki<\/span>
\n<\/span>Hot Docs -festival, Toronto <\/span>
\n<\/span>Tampere Film Festival, Finland <\/span>
\n<\/span>Rome film festival, Rome<\/span>
\n<\/span>Rendezvous with Madness -festival, Toronto <\/span>
\n<\/span>Fokus Video Art Festival\u2028Kunsthallen Nikolaj, Copenhagen\u00a0<\/span><\/p>\n

 <\/p>\n

2010<\/b>
\n<\/span>IMPAKT -festival, Utrecht<\/span>
\n<\/span>4th CAIRO VIDEO FESTIVAL, Egypt<\/span>
\n<\/span>KETTUP\u00c4IV\u00c4T, Helsinki<\/span><\/p>\n

 <\/p>\n

2008<\/b>
\n<\/span>Unmasked, New Museum, NY<\/span>
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